粉引 丸壺 Handmade Crafts Japan
大きく開く口には大振りの花や枝ものを受けとめる包容力がある壺です
野花や実ものを摘んでそのまま花束のように生けたり、
横長に伸びゆく植物、重石や剣山を用いて余白を生かす生け方など
こちらの花入には自由があり、いけるということを楽しめる作品です
窯の中で自然に描かれた表情を纏う赤土の粉引壺
そのたおやかな形を見ていると心がほっこりします
size H約14cm / 内径約15cm
手仕事による作品の為釉薬の風合いやサイズ感には若干の個体差がございます旨
ご了承のもとお買い求めください
作家 北井知枝
2010年 多治見市 陶磁器意匠研修研究所にて学ぶ
2012年 奈良県宇陀市にて尾形アツシ氏のもとで修業を経て独立
2024年 現在の兵庫県多可町に工房を構える
2016年、2025年 大阪府堺市灯しびとの集い
Product Description
With its generously open mouth, this vessel has the quiet capacity to hold large blossoms or substantial branches with ease.
It welcomes wildflowers gathered as they are, arranged like a simple bouquet.
It also lends itself beautifully to more intentional compositions — long horizontal stems, the use of stones or a kenzan, and arrangements that celebrate negative space.
There is a sense of freedom in this flower vessel — an invitation to enjoy the act of arranging itself.
Made of red clay with a powdery kohiki slip, the subtle variations in tone created within the kiln give the surface its natural, painterly expression.
Its gentle, graceful form brings a quiet warmth to the heart simply by being present.
⸻
Size
H approx. 14 cm
Inner diameter approx. 15 cm
⸻
As each piece is handmade, slight variations in glaze texture and size may occur. We kindly ask for your understanding before purchasing.
⸻
Artist
Chie Kitai
2010 – Studied at the Tajimi City Ceramic Design and Technical Center.
2012 – Completed an apprenticeship under Atsushi Ogata in Uda, Nara, before establishing her independent practice.
2024 – Established her current studio in Taka Town, Hyogo.
2016 & 2025 – Participated in Toshishibito no Tsudoi, Sakai, Osaka.
粉引 丸壺 Handmade Crafts Japan
大きく開く口には大振りの花や枝ものを受けとめる包容力がある壺です
野花や実ものを摘んでそのまま花束のように生けたり、
横長に伸びゆく植物、重石や剣山を用いて余白を生かす生け方など
こちらの花入には自由があり、いけるということを楽しめる作品です
窯の中で自然に描かれた表情を纏う赤土の粉引壺
そのたおやかな形を見ていると心がほっこりします
size H約14cm / 内径約15cm
手仕事による作品の為釉薬の風合いやサイズ感には若干の個体差がございます旨
ご了承のもとお買い求めください
作家 北井知枝
2010年 多治見市 陶磁器意匠研修研究所にて学ぶ
2012年 奈良県宇陀市にて尾形アツシ氏のもとで修業を経て独立
2024年 現在の兵庫県多可町に工房を構える
2016年、2025年 大阪府堺市灯しびとの集い
Product Description
With its generously open mouth, this vessel has the quiet capacity to hold large blossoms or substantial branches with ease.
It welcomes wildflowers gathered as they are, arranged like a simple bouquet.
It also lends itself beautifully to more intentional compositions — long horizontal stems, the use of stones or a kenzan, and arrangements that celebrate negative space.
There is a sense of freedom in this flower vessel — an invitation to enjoy the act of arranging itself.
Made of red clay with a powdery kohiki slip, the subtle variations in tone created within the kiln give the surface its natural, painterly expression.
Its gentle, graceful form brings a quiet warmth to the heart simply by being present.
⸻
Size
H approx. 14 cm
Inner diameter approx. 15 cm
⸻
As each piece is handmade, slight variations in glaze texture and size may occur. We kindly ask for your understanding before purchasing.
⸻
Artist
Chie Kitai
2010 – Studied at the Tajimi City Ceramic Design and Technical Center.
2012 – Completed an apprenticeship under Atsushi Ogata in Uda, Nara, before establishing her independent practice.
2024 – Established her current studio in Taka Town, Hyogo.
2016 & 2025 – Participated in Toshishibito no Tsudoi, Sakai, Osaka.
¥19,800税込
